‎/Transcript - Roman Lady Babylon Satanic Initiation Season 3 - Episode I
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Transcript: Roman Lady Babylon: Satanic Initiation Season 3 - Episode I

Watch on YouTube  |  Readable transcript  |  Language: en
Show concatenated view
168 timestamped sections using the same paragraph analysis.
Section 1: 00:00:00,979 – 00:00:22,780
00:00:00,979 → 00:00:13,209 I never meant anything I said just
00:00:13,219 → 00:00:17,090 never said anything I meant I never said
00:00:17,100 → 00:00:19,189 the letters that I should have said the
00:00:19,199 → 00:00:22,250 choice asking too much for you all to
00:00:22,260 → 00:00:22,780 believe
Section 2: 00:00:22,790 – 00:00:28,610
00:00:22,790 → 00:00:28,610 [Music]
Section 3: 00:00:28,620 – 00:00:30,609
00:00:28,620 → 00:00:30,609 [Applause]
Section 4: 00:00:30,619 – 00:00:34,970
00:00:30,619 → 00:00:33,350 never knew what I was talking about
00:00:33,360 → 00:00:34,970 anyway
Section 5: 00:00:34,980 – 00:00:37,569
00:00:34,980 → 00:00:37,569 [Music]
Section 6: 00:00:37,579 – 00:01:18,770
00:00:37,579 → 00:00:41,450 welcome back to season three we have
00:00:41,460 → 00:00:42,950 another crack
00:00:42,960 → 00:00:45,110 at seven weeks
00:00:45,120 → 00:00:47,270 yes yes
00:00:47,280 → 00:00:49,670 beautiful I love it it's great to be
00:00:49,680 → 00:00:53,630 back had a great working vacation
00:00:54,360 → 00:00:58,729 was given my uh was given our work and
00:00:58,739 → 00:01:02,630 we have a great show for you tonight
00:01:02,640 → 00:01:05,210 all I'm going to do
00:01:05,220 → 00:01:08,870 is bring out in front of you
00:01:08,880 → 00:01:10,550 the words
00:01:10,560 → 00:01:14,810 from antiquity and we're going back to
00:01:14,820 → 00:01:18,770 Lady Babylon but this time
Section 7: 00:01:18,780 – 00:01:30,730
00:01:18,780 → 00:01:30,730 it's lady Babylon Rome
Section 8: 00:01:30,740 – 00:01:44,469
00:01:30,740 → 00:01:44,469 [Music]
Section 9: 00:01:44,479 – 00:01:48,890
00:01:44,479 → 00:01:48,890 oh that's fantastic
Section 10: 00:01:48,900 – 00:02:11,930
00:01:48,900 → 00:01:51,710 I'm gonna bring up a series of tax dudes
00:01:51,720 → 00:01:55,130 tonight and what we're doing is we're
00:01:55,140 → 00:01:57,590 setting
00:01:57,600 → 00:01:58,789 are
00:01:58,799 → 00:02:01,730 sites to the West okay we've been to the
00:02:01,740 → 00:02:04,069 crime scene we've seen Jesus arrested
00:02:04,079 → 00:02:07,310 with the naked boy at 4am
00:02:07,320 → 00:02:09,229 um we know that he was calling himself a
00:02:09,239 → 00:02:11,930 sex trafficker
Section 11: 00:02:11,940 – 00:02:51,170
00:02:11,940 → 00:02:14,690 we know there are drugs involved we're
00:02:14,700 → 00:02:18,229 looking for the cult we're we're trying
00:02:18,239 → 00:02:20,570 to dive as deep into it as we can
00:02:20,580 → 00:02:23,690 possibly get why not go to the founder
00:02:23,700 → 00:02:25,790 of all this mystery
00:02:25,800 → 00:02:28,490 yes why not go to the founder herself
00:02:28,500 → 00:02:30,290 and that's what we're going to do
00:02:30,300 → 00:02:32,750 tonight so we're jumping out of the east
00:02:32,760 → 00:02:35,330 in the West
00:02:35,340 → 00:02:39,050 to the dropping off of the sun and the
00:02:39,060 → 00:02:41,330 arrival of night
00:02:41,340 → 00:02:44,869 um this is gorgeous this is gorgeous
00:02:44,879 → 00:02:47,570 um what do we bring who do we summon
00:02:47,580 → 00:02:51,170 tonight oh we're bringing
Section 12: 00:02:51,180 – 00:03:18,009
00:02:51,180 → 00:02:54,050 a North African
00:02:54,060 → 00:02:56,869 oh I've you know I forgot to make a let
00:02:56,879 → 00:02:59,030 me just make an announcement for the
00:02:59,040 → 00:03:01,190 chat people people that jump on there
00:03:01,200 → 00:03:02,750 yeah
00:03:02,760 → 00:03:07,850 be cool be cool or Get Zapped yeah be
00:03:07,860 → 00:03:10,130 cooler Get Zapped this is a good place
00:03:10,140 → 00:03:11,270 to come
00:03:11,280 → 00:03:14,089 right okay so don't bring any of that
00:03:14,099 → 00:03:18,009 racism
Section 13: 00:03:18,019 – 00:03:55,130
00:03:18,019 → 00:03:21,589 misogyny you know whatever your values
00:03:21,599 → 00:03:23,690 are we don't care
00:03:23,700 → 00:03:27,410 we don't okay leave that stuff outside
00:03:27,420 → 00:03:29,630 outside
00:03:29,640 → 00:03:33,110 um or Cersei will zap you Cersei please
00:03:33,120 → 00:03:35,570 jump on jump on
00:03:35,580 → 00:03:39,530 we need this right
00:03:39,540 → 00:03:43,670 Human Sacrifice love it it's delicious
00:03:43,680 → 00:03:47,630 so we're going to the west and we're
00:03:47,640 → 00:03:49,910 going to North Africa we're going to
00:03:49,920 → 00:03:53,270 dredge out of the soil from
00:03:53,280 → 00:03:55,130 late
Section 14: 00:03:55,140 – 00:04:41,990
00:03:55,140 → 00:03:57,229 5th Century
00:03:57,239 → 00:03:59,289 a very special
00:03:59,299 → 00:04:01,030 lawyer
00:04:01,040 → 00:04:05,270 this lawyer was was boy did he have the
00:04:05,280 → 00:04:06,470 sources
00:04:06,480 → 00:04:11,449 well educated his was that Latin yeah
00:04:11,459 → 00:04:12,589 anyway
00:04:12,599 → 00:04:15,410 um and what he did was he preserved for
00:04:16,380 → 00:04:19,610 some of the most culty references
00:04:19,620 → 00:04:22,790 possible this is the he has preserved
00:04:22,800 → 00:04:24,770 the actual
00:04:24,780 → 00:04:27,409 functioning of the mystery
00:04:27,419 → 00:04:29,710 many of you will say
00:04:29,720 → 00:04:32,390 mystery mystery look it's all on YouTube
00:04:32,400 → 00:04:34,790 and we're all figuring out the mystery
00:04:34,800 → 00:04:37,129 mystery mystery right and where's it
00:04:37,139 → 00:04:40,249 from oh it's from the secret and right
00:04:40,259 → 00:04:41,990 and okay we're coming away we're
Section 15: 00:04:42,000 – 00:05:04,730
00:04:42,000 → 00:04:44,749 stepping away from that crowd that wants
00:04:44,759 → 00:04:47,090 to take us in the back right we're
00:04:47,100 → 00:04:50,290 remembering that it's good technique
00:04:50,300 → 00:04:53,030 this season right we're gonna practice
00:04:53,040 → 00:04:55,370 that we're stepping out we're gonna say
00:04:55,380 → 00:04:58,670 okay just let us look at the cult
00:04:58,680 → 00:05:01,990 tonight I just want you to see the cult
00:05:02,000 → 00:05:04,730 through lady Babylon
Section 16: 00:05:04,740 – 00:05:28,150
00:05:04,740 → 00:05:08,210 right right Scholars with their books
00:05:08,220 → 00:05:10,270 and their selling and their position
00:05:10,280 → 00:05:13,189 trying to give you their theories that's
00:05:13,199 → 00:05:15,290 not for us we just we're detectives we
00:05:15,300 → 00:05:17,629 want to know what was the reality
00:05:17,639 → 00:05:21,590 going on and so in order to get there
00:05:21,600 → 00:05:24,830 tonight we're going to start our Johnson
00:05:24,840 → 00:05:28,150 to Rome with dracontius
Section 17: 00:05:28,160 – 00:06:08,210
00:05:28,160 → 00:05:31,850 dracontius don't you love that it means
00:05:31,860 → 00:05:37,850 a draco right it means the the Dragon
00:05:37,860 → 00:05:41,409 um anyway uh he was
00:05:41,419 → 00:05:45,290 preserved he preserved for us these
00:05:45,300 → 00:05:49,550 strains of cult in an opinion an opinion
00:05:49,560 → 00:05:51,409 and what
00:05:51,419 → 00:05:55,850 dare you ask is an opinion it's a short
00:05:55,860 → 00:05:57,110 Epic
00:05:57,120 → 00:06:00,469 okay it's a it's a metrically and epic
00:06:00,479 → 00:06:02,810 it's short and
00:06:02,820 → 00:06:04,730 um yeah he wrote One
00:06:04,740 → 00:06:08,210 he wrote One
Section 18: 00:06:08,220 – 00:06:26,330
00:06:08,220 → 00:06:10,909 I did some time in prison too there were
00:06:10,919 → 00:06:12,409 Wars going on
00:06:12,419 → 00:06:13,610 twin
00:06:13,620 → 00:06:16,370 Christian and non-Christian
00:06:16,380 → 00:06:20,210 and it was going against it was terrible
00:06:20,220 → 00:06:21,730 a a
00:06:21,740 → 00:06:26,330 disturbing time disturbing times
Section 19: 00:06:26,340 – 00:06:58,129
00:06:26,340 → 00:06:29,150 I can smell it can you smell it
00:06:29,160 → 00:06:31,490 okay let's pull out some dracontius
00:06:31,500 → 00:06:34,070 Let's Get Serious put on some dracontius
00:06:34,080 → 00:06:36,050 and tonight I want you as you're sitting
00:06:36,060 → 00:06:37,730 on that throne
00:06:37,740 → 00:06:42,050 as you are within asterian right I want
00:06:42,060 → 00:06:44,570 you to go ahead and look at these images
00:06:44,580 → 00:06:46,129 we're looking at images we're going to
00:06:46,139 → 00:06:47,629 be working with the words but we're
00:06:47,639 → 00:06:50,510 looking at the images
00:06:50,520 → 00:06:58,129 Chewie number one text please
Section 20: 00:06:58,139 – 00:07:15,230
00:06:58,139 → 00:07:00,469 I just want you to see I'm gonna sit
00:07:00,479 → 00:07:02,990 here as the voice and I'm gonna try not
00:07:03,000 → 00:07:06,529 to yell here I don't want to yell so why
00:07:06,539 → 00:07:07,909 don't I do this
00:07:07,919 → 00:07:11,210 yeah what we've got here is that gold
00:07:11,220 → 00:07:12,070 and
00:07:12,080 → 00:07:15,230 artifact it's protected
Section 21: 00:07:15,240 – 00:07:45,770
00:07:15,240 → 00:07:16,969 by a dragon
00:07:16,979 → 00:07:19,850 yes and on that skin and what's funny
00:07:19,860 → 00:07:22,850 the word for parchments used
00:07:22,860 → 00:07:25,309 so it is implied that there is writing
00:07:25,319 → 00:07:28,430 that that song that is being said water
00:07:28,440 → 00:07:32,089 that that song is what that Guardian is
00:07:32,099 → 00:07:35,150 is guarding it's what that dragon is
00:07:35,160 → 00:07:37,909 watching yes but look what we get here
00:07:37,919 → 00:07:45,770 and the third line
Section 22: 00:07:45,780 – 00:08:05,210
00:07:45,780 → 00:07:48,710 isn't that nice isn't that nice look at
00:07:48,720 → 00:07:52,129 this the first ioson
00:07:52,139 → 00:07:55,490 was a rapist
00:07:55,500 → 00:07:59,689 of the burning purple
00:07:59,699 → 00:08:05,210 isn't that nice isn't that nice
Section 23: 00:08:05,220 – 00:08:37,449
00:08:05,220 → 00:08:08,330 and so I want you to see that we're
00:08:08,340 → 00:08:10,370 right there right from the beginning so
00:08:10,380 → 00:08:13,730 he's gotten us to the fleece and he's
00:08:13,740 → 00:08:15,290 letting us know
00:08:15,300 → 00:08:17,270 um and I want you to get prepared for
00:08:17,280 → 00:08:19,730 all the snakes and for all the
00:08:19,740 → 00:08:21,830 um we want to see the right as it's
00:08:21,840 → 00:08:23,330 being performed we want to go there
00:08:23,340 → 00:08:25,490 directly right so okay we're just
00:08:25,500 → 00:08:27,589 settling in
00:08:27,599 → 00:08:37,449 give us another one another
Section 24: 00:08:37,459 – 00:09:09,230
00:08:37,459 → 00:08:39,769 oh isn't this wonderful look at the
00:08:39,779 → 00:08:42,170 second word sitha
00:08:42,180 → 00:08:44,089 um that's her
00:08:44,099 → 00:08:48,710 right he's describing what Medea
00:08:48,720 → 00:08:53,030 um is doing and he says she is Sita
00:08:53,040 → 00:08:57,590 right you those of you who are who are
00:08:57,600 → 00:09:00,170 um lovers of that history and I know
00:09:00,180 → 00:09:02,090 those are those of you are here just
00:09:02,100 → 00:09:03,110 notice
00:09:03,120 → 00:09:05,870 just sit back those of you who said
00:09:05,880 → 00:09:09,230 scythians scythians somebody said
Section 25: 00:09:09,240 – 00:09:21,889
00:09:09,240 → 00:09:11,949 scythians just don't
00:09:11,959 → 00:09:13,490 scythians
00:09:13,500 → 00:09:17,210 what about these people yeah well her
00:09:17,220 → 00:09:18,350 name
00:09:18,360 → 00:09:21,889 is Sita
Section 26: 00:09:21,899 – 00:09:29,509
00:09:21,899 → 00:09:23,329 gorgeous
00:09:23,339 → 00:09:29,509 um same text again please chew it
Section 27: 00:09:29,519 – 00:10:23,090
00:09:29,519 → 00:09:33,470 um she's amazed right right she's amazed
00:09:33,480 → 00:09:36,110 at this process that's going on
00:09:36,120 → 00:09:38,870 next one please
00:09:38,880 → 00:09:40,690 yeah
00:09:40,700 → 00:09:44,930 Aurora notice the name Aurora rutilans
00:09:44,940 → 00:09:47,509 capilos
00:09:47,519 → 00:09:52,550 she's calming her red or glistening red
00:09:52,560 → 00:09:54,650 root salons is like I don't know it's
00:09:54,660 → 00:09:58,070 just it's a description of the glowing
00:09:58,080 → 00:10:00,290 that you have oh yes here we'll do this
00:10:00,300 → 00:10:02,389 a description of the glowing that you
00:10:02,399 → 00:10:04,130 have
00:10:04,140 → 00:10:05,530 um when
00:10:05,540 → 00:10:10,070 Aurora appears it's a Sheen from her
00:10:10,080 → 00:10:11,269 hair
00:10:11,279 → 00:10:15,710 and it is rutilon's oh isn't that nice
00:10:15,720 → 00:10:19,190 her hair is puni chaos puny chaos yeah
00:10:19,200 → 00:10:23,090 gorgeous gorgeous could you uh
Section 28: 00:10:23,100 – 00:10:37,130
00:10:23,100 → 00:10:26,389 could you give us back that text Chewie
00:10:26,399 → 00:10:29,570 thank you yeah and what is she doing and
00:10:29,580 → 00:10:37,130 she Combs her hair ante diem Kwai moxom
Section 29: 00:10:37,140 – 00:11:07,910
00:10:37,140 → 00:10:42,769 yeah she's flowing out she is pouring
00:10:42,779 → 00:10:43,850 out
00:10:43,860 → 00:10:45,310 Dawn
00:10:45,320 → 00:10:49,670 EOS look at that last word eom
00:10:49,680 → 00:10:53,509 yeah there's a diagram in that you know
00:10:53,519 → 00:10:56,150 we're gonna see this that diagama most
00:10:56,160 → 00:10:58,310 people go ahead and bring me out most
00:10:58,320 → 00:11:01,130 people think of the diagama from the
00:11:01,140 → 00:11:03,470 Mycenaean Greek that's going back to
00:11:03,480 → 00:11:04,690 about
00:11:04,700 → 00:11:07,910 1600 BC
Section 30: 00:11:07,920 – 00:11:46,190
00:11:07,920 → 00:11:11,090 yeah that Mycenaean Greek is the um
00:11:11,100 → 00:11:13,970 carrying that dicama but people refer to
00:11:13,980 → 00:11:15,889 that as the origin
00:11:15,899 → 00:11:19,970 and that the Romans cross the Adriatic
00:11:19,980 → 00:11:23,150 they really picked up through the
00:11:23,160 → 00:11:26,030 Etruscans this association with the
00:11:26,040 → 00:11:29,930 diagama but there's a pulaskia note in
00:11:29,940 → 00:11:31,970 this and the pulaskian culture we're
00:11:31,980 → 00:11:34,190 talking about older
00:11:34,200 → 00:11:36,650 older do we have that math there you can
00:11:36,660 → 00:11:38,870 show some people with references we'll
00:11:38,880 → 00:11:40,550 get there we'll get there in the sources
00:11:40,560 → 00:11:43,190 yeah or here we go look oh this is
00:11:43,200 → 00:11:46,190 trippy what's going on look right here
Section 31: 00:11:46,200 – 00:12:24,170
00:11:46,200 → 00:11:49,009 that's fine look here I am above the
00:11:49,019 → 00:11:51,530 world and look at all of the places that
00:11:51,540 → 00:11:54,050 they have gone look at the Pulaski and
00:11:54,060 → 00:11:56,990 culture these are all references right
00:11:57,000 → 00:11:59,210 so you got them heavy we also have them
00:11:59,220 → 00:12:01,790 here we also have them right here oh
00:12:01,800 → 00:12:04,490 that's nice Lesbos you know they call
00:12:04,500 → 00:12:07,490 the Island of Lesbos
00:12:07,500 → 00:12:10,790 um pulaskia isn't that nice the land of
00:12:10,800 → 00:12:14,269 the pulaskians and this is the same
00:12:14,279 → 00:12:17,090 thing we're getting in Northern Italy
00:12:17,100 → 00:12:19,430 through the Etruscans
00:12:19,440 → 00:12:22,069 um the tyranoi right the atrocities
00:12:22,079 → 00:12:24,170 didn't call themselves Etruscans man
Section 32: 00:12:24,180 – 00:13:08,290
00:12:24,180 → 00:12:25,970 that's never how it works out
00:12:25,980 → 00:12:27,350 historically right that's what somebody
00:12:27,360 → 00:12:30,590 else called them right the tyrannoy or
00:12:30,600 → 00:12:32,509 the tearsenoi
00:12:32,519 → 00:12:35,650 um have a pulaskian
00:12:35,660 → 00:12:39,290 root so this is an older culture that's
00:12:39,300 → 00:12:42,590 Bronze Age Bronze Age when you're
00:12:42,600 → 00:12:45,170 thinking Mycenaean you're thinking
00:12:45,180 → 00:12:47,389 getting into late middle late bronzes
00:12:47,399 → 00:12:49,730 you're getting into the late Bronze Age
00:12:49,740 → 00:12:54,110 boom you got this explosion of the of
00:12:54,120 → 00:12:57,889 this right this mystery right so this is
00:12:57,899 → 00:13:00,350 really going back to the origin
00:13:00,360 → 00:13:04,310 um yeah even the sea remember the the C
00:13:04,320 → 00:13:06,949 we're gonna see the sea in a minute and
00:13:06,959 → 00:13:08,290 we're going to see it through the purple
Section 33: 00:13:08,300 – 00:13:30,769
00:13:08,300 → 00:13:12,470 this is oh my this stuff is okay buckle
00:13:12,480 → 00:13:16,150 your seat bouncer go outside and
00:13:16,160 → 00:13:19,970 talk to the wind for a minute but yeah
00:13:19,980 → 00:13:21,590 buckling this is gonna be good okay
00:13:21,600 → 00:13:24,769 let's get let's get another uh reference
00:13:24,779 → 00:13:30,769 up fantastic yeah oh this this is um
Section 34: 00:13:30,779 – 00:13:36,949
00:13:31,519 → 00:13:36,949 Juno yes asking Cyprus right
Section 35: 00:13:36,959 – 00:14:18,530
00:13:36,959 → 00:13:38,389 um for help
00:13:38,399 → 00:13:41,210 right and she says send that boy love
00:13:41,220 → 00:13:42,190 right
00:13:42,200 → 00:13:45,350 what is he he's carrying a quiver right
00:13:45,360 → 00:13:50,509 my Cyprus yeah and um let that we are
00:13:50,519 → 00:13:52,850 all go see that last word on the second
00:13:52,860 → 00:13:56,870 line that weirago is a that's Eve that
00:13:56,880 → 00:13:58,670 we saw before that's how we translate
00:13:58,680 → 00:14:02,690 Eve in the oldest of the um Latin
00:14:02,700 → 00:14:06,050 versions right and so yes the only one
00:14:06,060 → 00:14:08,030 that works that means
00:14:08,040 → 00:14:11,389 um lead from man right like the text
00:14:11,399 → 00:14:13,610 says it's the only one but that we're
00:14:13,620 → 00:14:18,530 ago is that old Etruscan Minerva it's
Section 36: 00:14:18,540 – 00:14:46,730
00:14:18,540 → 00:14:20,930 that some people would translate it
00:14:20,940 → 00:14:22,430 virgin but
00:14:22,440 → 00:14:24,949 um what is she she's
00:14:24,959 → 00:14:27,610 she that's a special word used in cult
00:14:27,620 → 00:14:31,009 and that means she who carries the
00:14:31,019 → 00:14:35,389 diamond that's the inspired one okay so
00:14:35,399 → 00:14:40,009 we're talking about a weirago which is a
00:14:42,300 → 00:14:46,730 you typically described as a manly
Section 37: 00:14:46,740 – 00:15:40,730
00:14:46,740 → 00:14:50,329 girl as a manly girl
00:14:50,339 → 00:14:51,889 yeah
00:14:51,899 → 00:14:56,150 um as a girl who is not yet developed
00:14:56,160 → 00:14:57,290 yeah
00:14:57,300 → 00:15:01,550 sexually but is developed muscular wise
00:15:01,560 → 00:15:05,269 yeah and you know gymnasts you know
00:15:05,279 → 00:15:07,210 kinda
00:15:07,220 → 00:15:11,650 or somebody that you know you go into
00:15:11,660 → 00:15:15,530 battle with or that you hunt with that's
00:15:15,540 → 00:15:18,530 what a weirago is Right a lion Huntress
00:15:18,540 → 00:15:20,090 Cyrene
00:15:20,100 → 00:15:22,370 is that weird ago
00:15:22,380 → 00:15:23,689 okay
00:15:23,699 → 00:15:25,189 um I think it's beautiful
00:15:27,600 → 00:15:29,090 portrait because what we're doing is
00:15:29,100 → 00:15:30,470 we're assembling a portrait of lady
00:15:30,480 → 00:15:33,710 Babylon go ahead that same yeah yeah
00:15:33,720 → 00:15:34,910 right
00:15:34,920 → 00:15:38,030 um so let her fall by that by fire that
00:15:38,040 → 00:15:40,730 fire of yours that burns you know let
Section 38: 00:15:40,740 – 00:16:10,430
00:15:40,740 → 00:15:42,350 the fuhrer
00:15:42,360 → 00:15:44,569 um teach us to love right because that's
00:15:44,579 → 00:15:47,870 what she has Medea has that food or
00:15:47,880 → 00:15:51,170 right and then a little bit he talks
00:15:51,180 → 00:15:53,449 about um let her just you know walk away
00:15:53,459 → 00:15:56,210 from the shrines of the Goddess what
00:15:56,220 → 00:15:59,569 Goddess the Goddess Diana who carries
00:15:59,579 → 00:16:04,189 the uh quiver right she's trying to take
00:16:04,199 → 00:16:07,670 control of this
00:16:07,680 → 00:16:10,430 what is she
Section 39: 00:16:10,440 – 00:16:37,129
00:16:10,440 → 00:16:15,590 well so far we know she she is an oracle
00:16:15,600 → 00:16:17,629 all right remember she's one of the
00:16:17,639 → 00:16:21,530 captives one of the we just read the
00:16:21,540 → 00:16:24,290 first Ya song so right you think the
00:16:24,300 → 00:16:26,870 name Jason is the dude's name no it's a
00:16:26,880 → 00:16:28,490 title with an occult
00:16:28,500 → 00:16:32,050 right the first one of these
00:16:32,060 → 00:16:37,129 abducted her the burning purple
Section 40: 00:16:37,139 – 00:17:04,669
00:16:37,139 → 00:16:38,870 Isn't that cool
00:16:38,880 → 00:16:42,290 Isn't that cool that's amazing yeah
00:16:42,300 → 00:16:45,829 through a series of Kings we go right
00:16:45,839 → 00:16:48,170 loving it loving okay give us more text
00:16:48,180 → 00:16:53,090 man what what's there about Medea please
00:16:53,100 → 00:16:55,610 oh okay now this is I'm just gonna go
00:16:55,620 → 00:16:58,009 through I'm gonna fly through this and I
00:16:58,019 → 00:17:00,410 just want to set a picture for you yeah
00:17:00,420 → 00:17:04,669 so I'm gonna start translating now
Section 41: 00:17:04,679 – 00:17:18,590
00:17:05,900 → 00:17:09,650 it pains my soul
00:17:09,660 → 00:17:12,189 to tell you
00:17:12,199 → 00:17:18,590 of the Abominations of the black virgin
Section 42: 00:17:18,600 – 00:17:24,710
00:17:18,600 → 00:17:24,710 foreign
Section 43: 00:17:24,720 – 00:17:40,430
00:17:24,720 → 00:17:28,970 to show God's taken captive
00:17:28,980 → 00:17:33,169 to show the manipulation of elements to
00:17:33,179 → 00:17:40,430 show nature given to serve a girl
Section 44: 00:17:40,440 – 00:17:53,090
00:17:40,440 → 00:17:43,370 the word there is Puella that he's using
00:17:43,380 → 00:17:48,070 right remember she is in this state of
00:17:48,080 → 00:17:53,090 not yet having finished puberty
Section 45: 00:17:53,100 – 00:18:26,450
00:17:53,100 → 00:17:55,270 yeah
00:17:55,280 → 00:17:58,070 very tall
00:17:58,080 → 00:18:01,730 yeah very tall but with the appearance
00:18:01,740 → 00:18:05,090 with the gynomorphic appearance
00:18:05,100 → 00:18:08,870 right the the androgenic
00:18:08,880 → 00:18:11,110 appearance
00:18:11,120 → 00:18:16,070 of approximately a 12 year old
00:18:16,080 → 00:18:18,169 thanks to the Babylonians they were the
00:18:18,179 → 00:18:20,630 ones that figured that out
00:18:20,640 → 00:18:23,289 um and there she is in that year
00:18:23,299 → 00:18:26,450 preserved with those
Section 46: 00:18:26,460 – 00:19:05,029
00:18:26,460 → 00:18:28,930 serpents
00:18:28,940 → 00:18:32,210 yeah oh it's this is um
00:18:32,220 → 00:18:35,029 this is good stuff this is this is cult
00:18:35,039 → 00:18:37,370 right here I mean we just is it is it me
00:18:37,380 → 00:18:40,909 or did we just land in a giant
00:18:40,919 → 00:18:43,010 I mean we just showed up and here
00:18:43,020 → 00:18:45,289 everybody's got the robes and every you
00:18:45,299 → 00:18:47,029 know here they come
00:18:47,039 → 00:18:51,470 this is gorgeous bring us up another one
00:18:51,480 → 00:18:54,890 the same text please same text
00:18:54,900 → 00:18:56,810 yeah so
00:18:56,820 → 00:18:58,789 um what does she say what does she say
00:18:58,799 → 00:19:00,350 she says
Section 47: 00:19:05,039 – 00:19:42,470
00:19:05,039 → 00:19:09,650 I am able right this is what she says
00:19:09,660 → 00:19:12,950 but he um the poet is saying
00:19:12,960 → 00:19:15,169 it it really shouldn't be done I
00:19:15,179 → 00:19:17,870 shouldn't be saying this anyway so um I
00:19:17,880 → 00:19:19,970 hate to show you the naphos this is the
00:19:19,980 → 00:19:22,909 terrible things that she does turning
00:19:22,919 → 00:19:25,549 you know God's captive and controlling
00:19:25,559 → 00:19:27,950 nature itself right
00:19:27,960 → 00:19:31,250 what else does she do
00:19:31,260 → 00:19:35,210 she brings the stars of the pole
00:19:35,220 → 00:19:37,370 that is the pole stars and for those of
00:19:37,380 → 00:19:40,190 you who are reading the PGM the Papyrus
00:19:40,200 → 00:19:42,470 magikai
Section 48: 00:19:42,480 – 00:19:49,870
00:19:42,480 → 00:19:45,830 um tune up and uh okay here are your
00:19:45,840 → 00:19:49,870 poll Lords
Section 49: 00:19:49,880 – 00:20:32,450
00:19:49,880 → 00:19:54,130 and the course of Phoebus and the stars
00:19:54,140 → 00:19:58,190 of the kylam of the heaven right what
00:19:58,200 → 00:20:00,549 does she do she moves these by her own
00:20:00,559 → 00:20:04,850 arbitrio by her own will
00:20:04,860 → 00:20:08,090 right the will mulieris the will of the
00:20:08,100 → 00:20:09,169 wife
00:20:09,179 → 00:20:13,150 which dracontius is real real real
00:20:13,160 → 00:20:16,430 strict about saying look in your Trinity
00:20:16,440 → 00:20:21,890 you have Hera Aphrodite and Minerva and
00:20:21,900 → 00:20:23,810 don't forget it right so you're going to
00:20:23,820 → 00:20:26,270 see each of these three coming out in
00:20:26,280 → 00:20:28,370 this okay and this is all framed of
00:20:28,380 → 00:20:32,450 course within the oracular cult right so
Section 50: 00:20:32,460 – 00:21:03,710
00:20:32,460 → 00:20:36,409 I've got the curses foibi okay good okay
00:20:36,419 → 00:20:40,310 because line six because what she orders
00:20:40,320 → 00:20:43,490 right that nephos that she orders right
00:20:43,500 → 00:20:47,570 that's what happens when she commands
00:20:47,580 → 00:20:49,730 The Ether
00:20:49,740 → 00:20:53,150 to send out the flames
00:20:53,160 → 00:20:56,690 oh isn't that gorgeous you've heard this
00:20:56,700 → 00:20:59,390 convention from Antiquity you've heard
00:20:59,400 → 00:21:01,250 about this convention it's called
00:21:01,260 → 00:21:03,710 Drawing down
Section 51: 00:21:03,720 – 00:21:38,149
00:21:03,720 → 00:21:05,390 the fire
00:21:05,400 → 00:21:10,610 yeah or the fire of Uranus
00:21:10,620 → 00:21:13,490 yes and it's a special thing it's a
00:21:13,500 → 00:21:18,289 special production that the only a Maga
00:21:18,299 → 00:21:20,810 would understand how to do only someone
00:21:20,820 → 00:21:22,610 with the purple
00:21:22,620 → 00:21:25,669 would understand how to do it's the
00:21:25,679 → 00:21:28,850 breathing of the fire they
00:21:28,860 → 00:21:31,490 um they would say the breathing of the
00:21:31,500 → 00:21:32,330 fire
00:21:32,340 → 00:21:35,690 and people wanted to see
00:21:35,700 → 00:21:38,149 her
Section 52: 00:21:38,159 – 00:21:51,649
00:21:38,159 → 00:21:40,669 gorgeous bring that up one more time
00:21:40,679 → 00:21:42,830 that big text one more time please thank
00:21:42,840 → 00:21:43,909 you
00:21:43,919 → 00:21:45,649 yeah
00:21:47,820 → 00:21:51,649 her voice
Section 53: 00:21:51,659 – 00:21:56,210
00:21:51,659 → 00:21:56,210 cuts through the air
Section 54: 00:21:56,220 – 00:22:23,810
00:21:56,220 → 00:22:02,029 and makes the living and the dead
00:22:02,039 → 00:22:05,270 when she herself
00:22:05,280 → 00:22:08,990 turns back fate
00:22:09,000 → 00:22:11,510 to a course
00:22:11,520 → 00:22:15,070 that she would want
00:22:15,080 → 00:22:19,070 she is the one who is given the
00:22:19,080 → 00:22:23,810 sacrifice of The Stranger
Section 55: 00:22:23,820 – 00:22:45,250
00:22:23,820 → 00:22:27,770 she runs through the temples of scythian
00:22:27,780 → 00:22:30,169 Diana
00:22:30,179 → 00:22:34,850 we are steadfastly in the Crimea
00:22:34,860 → 00:22:37,730 yes gorgeous
00:22:37,740 → 00:22:40,130 Paul see that look at Line 11. Paul see
00:22:40,140 → 00:22:45,250 that astricore
Section 56: 00:22:45,260 – 00:22:49,090
00:22:45,260 → 00:22:49,090 she possesses
Section 57: 00:22:49,100 – 00:22:53,110
00:22:49,100 → 00:22:53,110 the star-bearing heaven
Section 58: 00:22:53,120 – 00:23:01,909
00:22:53,120 → 00:22:55,190 in her
00:22:55,200 → 00:22:57,230 abominable
00:22:57,240 → 00:23:01,909 breast
Section 59: 00:23:01,919 – 00:23:25,669
00:23:01,919 → 00:23:04,490 and she presses the Gods
00:23:04,500 → 00:23:07,909 with her prayers this weirago
00:23:07,919 → 00:23:11,930 says do what is unwilling
00:23:11,940 → 00:23:15,649 that she wants
00:23:15,659 → 00:23:19,610 love it she sings songs
00:23:19,620 → 00:23:25,669 in different languages
Section 60: 00:23:25,679 – 00:23:33,770
00:23:25,679 → 00:23:28,029 and burns
00:23:28,039 → 00:23:33,770 in appearance
Section 61: 00:23:33,780 – 00:23:39,289
00:23:33,780 → 00:23:39,289 she says names the names
Section 62: 00:23:39,299 – 00:23:47,750
00:23:39,299 → 00:23:43,669 and these things it is indecent for a
00:23:43,679 → 00:23:47,750 poet to learn
Section 63: 00:23:47,760 – 00:23:56,990
00:23:47,760 → 00:23:50,990 we will sing
00:23:51,000 → 00:23:56,990 like Paul hemnia the mother of Orpheus
Section 64: 00:23:57,000 – 00:24:07,090
00:23:57,000 → 00:24:02,210 right so this is the work of Paul hymnia
00:24:02,220 → 00:24:07,090 the mother of Orpheus
Section 65: 00:24:07,100 – 00:24:11,570
00:24:07,100 → 00:24:11,570 yes nice
Section 66: 00:24:11,580 – 00:24:45,950
00:24:11,580 → 00:24:13,970 um love it okay so let's look at her and
00:24:13,980 → 00:24:16,850 see what kind of person lady Babylon is
00:24:16,860 → 00:24:20,029 I'm gonna go a little bit over so
00:24:20,039 → 00:24:22,909 um just hang in there it's a little bit
00:24:22,919 → 00:24:25,130 long I'm sorry and I thank you for your
00:24:25,140 → 00:24:26,210 time
00:24:26,220 → 00:24:29,990 Chewie hit the next quote please yes
00:24:30,000 → 00:24:31,450 um this is now
00:24:31,460 → 00:24:34,850 Venus right we're all here gathered
00:24:34,860 → 00:24:37,850 waiting for the Morning Star right so
00:24:37,860 → 00:24:41,630 this is Venus and she says my child is
00:24:41,640 → 00:24:43,149 here
00:24:43,159 → 00:24:45,950 he's sprinkling
Section 67: 00:24:45,960 – 00:24:55,450
00:24:45,960 → 00:24:51,010 the air with many types of flowers
00:24:51,020 → 00:24:55,450 he breathes out
Section 68: 00:24:55,460 – 00:25:02,810
00:24:55,460 → 00:24:58,250 an ambrosial order
00:24:58,260 → 00:25:02,810 right odor
Section 69: 00:25:02,820 – 00:25:13,549
00:25:02,820 → 00:25:04,970 that's what happens when Arrow shows up
00:25:04,980 → 00:25:08,710 right when a more shows up he suddenly
00:25:08,720 → 00:25:13,549 can smell the ambrosia
Section 70: 00:25:13,559 – 00:25:43,370
00:25:13,559 → 00:25:17,330 you know that spring Ambrosia okay and
00:25:17,340 → 00:25:18,890 while
00:25:18,900 → 00:25:20,990 um while she was talking lascivious
00:25:21,000 → 00:25:25,730 Venus was talking uh her son came and
00:25:25,740 → 00:25:30,049 um hovered over her over her gramium
00:25:30,059 → 00:25:33,890 um what's that it's a lap it's a lap on
00:25:33,900 → 00:25:37,669 Helens do you know what love does love
00:25:37,679 → 00:25:40,789 sits over the lap
00:25:40,799 → 00:25:43,370 of Aphrodite
Section 71: 00:25:43,380 – 00:25:47,710
00:25:43,380 → 00:25:47,710 breathing
Section 72: 00:25:47,720 – 00:26:30,020
00:25:47,720 → 00:25:50,870 the vapor
00:25:50,880 → 00:25:52,430 yeah
00:25:52,440 → 00:25:55,789 breathing that Vapor I'm talking to you
00:25:55,799 → 00:25:56,930 about it
00:25:56,940 → 00:25:59,450 deep deep
00:25:59,460 → 00:26:02,149 mystery
00:26:02,159 → 00:26:05,510 yeah let's keep keep hunting here love
00:26:05,520 → 00:26:07,310 it keep going
00:26:07,320 → 00:26:09,169 we've got a few more
00:26:09,179 → 00:26:13,909 uh next please
00:26:13,919 → 00:26:17,930 um yes yes yes yes yes yes yes yes
00:26:17,940 → 00:26:21,169 who is this Eros Pirates
00:26:21,179 → 00:26:24,529 oh yes that just means the Flaming one
00:26:24,539 → 00:26:28,310 right the Flaming one right what is he
00:26:28,320 → 00:26:30,020 he is that men's
Section 73: 00:26:30,030 – 00:26:32,630
00:26:30,030 → 00:26:32,630 [Music]
Section 74: 00:26:32,640 – 00:26:41,710
00:26:32,640 → 00:26:35,350 that burning mind
00:26:35,360 → 00:26:41,710 of the cosmos right yes
Section 75: 00:26:41,720 – 00:27:11,210
00:26:41,720 → 00:26:45,310 he is that vapor
00:26:45,320 → 00:26:48,710 poly of the pole what kind of vapor that
00:26:48,720 → 00:26:52,390 one that produces that second
00:26:52,400 → 00:26:54,230 vapor
00:26:54,240 → 00:26:56,230 he is the
00:26:56,240 → 00:27:00,409 continuance of things the succession
00:27:00,419 → 00:27:05,409 right he is the affection he is nature
00:27:05,419 → 00:27:11,210 he is type he is the source the fountain
Section 76: 00:27:11,220 – 00:27:48,190
00:27:11,220 → 00:27:14,690 the author the beginning
00:27:14,700 → 00:27:17,269 you
00:27:17,279 → 00:27:21,669 you great Amor are the
00:27:21,679 → 00:27:24,909 generative health
00:27:24,919 → 00:27:29,810 yes you are that walluptas you are that
00:27:29,820 → 00:27:34,250 Pleasant thing to be desired you are the
00:27:34,260 → 00:27:36,409 prin caps and for those of you who don't
00:27:36,419 → 00:27:39,950 recognize him he is the principz Piet
00:27:39,960 → 00:27:44,169 artists the prince of
00:27:44,179 → 00:27:48,190 religious piety
Section 77: 00:27:48,200 – 00:27:56,090
00:27:48,200 → 00:27:51,409 yes yes
00:27:51,419 → 00:27:56,090 another one please
Section 78: 00:27:56,100 – 00:28:10,549
00:27:56,100 → 00:27:57,710 yep
00:27:57,720 → 00:28:01,190 so here we are who is this Medea look at
00:28:01,200 → 00:28:06,289 line 136 and look at the last two words
00:28:06,299 → 00:28:10,549 yeah Medea sakurdos
Section 79: 00:28:10,559 – 00:28:24,230
00:28:10,559 → 00:28:15,549 uh first word on the next line sacrilega
00:28:15,559 → 00:28:18,830 Medea is the
00:28:18,840 → 00:28:21,110 sacrilegious
00:28:21,120 → 00:28:24,230 priest
Section 80: 00:28:24,240 – 00:28:36,169
00:28:24,240 → 00:28:27,669 yeah think about that for a minute
00:28:27,679 → 00:28:31,029 she is the one who brings the
00:28:31,039 → 00:28:36,169 Abomination the anti-religious
Section 81: 00:28:36,179 – 00:28:40,010
00:28:36,179 → 00:28:40,010 religion
Section 82: 00:28:40,020 – 00:29:31,490
00:28:40,020 → 00:28:42,830 that is the oracular
00:28:42,840 → 00:28:46,970 it is the base of the oracular tonight's
00:28:46,980 → 00:28:50,269 subtitle was why must Christians lie
00:28:50,279 → 00:28:54,169 they must lie because they must find a
00:28:54,179 → 00:28:58,130 way out of themselves
00:28:58,140 → 00:29:00,909 yes
00:29:00,919 → 00:29:03,409 bring it up
00:29:03,419 → 00:29:05,810 we've been all talking about the truth
00:29:05,820 → 00:29:08,690 and who is lying to us
00:29:08,700 → 00:29:11,330 lies lies lies
00:29:11,340 → 00:29:12,890 yes
00:29:12,900 → 00:29:16,610 yes right bring us the oracle
00:29:16,620 → 00:29:20,389 she won't lie to us she has no reason to
00:29:20,399 → 00:29:23,149 okay the dude I'm sorry but your dude
00:29:23,159 → 00:29:25,850 was arrested in a public park at 4am
00:29:25,860 → 00:29:28,070 with a naked boy
00:29:28,080 → 00:29:31,490 yelling about child crediting
Section 83: 00:29:31,500 – 00:30:07,370
00:29:31,500 → 00:29:33,409 okay
00:29:35,820 → 00:29:39,769 another source let's do this
00:29:39,779 → 00:29:43,130 yeah so this is who Juno is seeking
00:29:43,140 → 00:29:45,370 right this you and him
00:29:45,380 → 00:29:48,649 this human and pellaskum
00:29:48,659 → 00:29:51,590 right she wants there to be some choice
00:29:51,600 → 00:29:53,690 and some loving and some helping and
00:29:53,700 → 00:29:57,289 some Desiring right some breathing in
00:29:57,299 → 00:29:58,490 and out
00:29:58,500 → 00:30:02,590 with this you and him pulaskum
00:30:02,600 → 00:30:07,370 this youth this young man
Section 84: 00:30:07,380 – 00:30:34,730
00:30:07,380 → 00:30:10,130 this Pulaski and Prince
00:30:10,140 → 00:30:14,990 right and that's why she needs the medwa
00:30:15,000 → 00:30:20,389 that's why she needs her next one please
00:30:20,399 → 00:30:22,850 I just want you to see that um the
00:30:22,860 → 00:30:24,430 Pirates are showing up
00:30:24,440 → 00:30:27,049 I want I want you to see the Pirates
00:30:27,059 → 00:30:29,810 coming to this but when I say Pirates
00:30:29,820 → 00:30:31,330 forgive me
00:30:31,340 → 00:30:34,730 uh Grand Master Depp
Section 85: 00:30:34,740 – 00:31:12,889
00:30:34,740 → 00:30:38,330 um but uh when the Pirates show up we're
00:30:38,340 → 00:30:40,310 talking about child traffickers is what
00:30:40,320 → 00:30:42,289 we're talking about we're not we're in a
00:30:42,299 → 00:30:44,750 we're in a different place so when Jesus
00:30:44,760 → 00:30:47,029 is yelling about himself being a
00:30:47,039 → 00:30:49,610 Buccaneer he's not talking about the
00:30:49,620 → 00:30:51,649 swashbuckling type that you might want
00:30:51,659 → 00:30:54,110 to have dinner with he's talking about
00:30:54,120 → 00:30:55,730 the
00:30:55,740 → 00:30:59,149 um type that or stealing children for
00:30:59,159 → 00:31:01,250 the sake of the sex trade
00:31:01,260 → 00:31:04,970 yeah which is not funny but when you
00:31:04,980 → 00:31:07,610 think of Jesus in that context
00:31:07,620 → 00:31:10,610 it kind of gives you like an ew like an
00:31:10,620 → 00:31:12,889 icky feeling like look we have to be
Section 86: 00:31:12,899 – 00:31:52,970
00:31:12,899 → 00:31:15,529 honest we cannot cover anything up we
00:31:15,539 → 00:31:18,049 have to get on give us another another
00:31:18,059 → 00:31:20,510 Roman Source give us give us tricontius
00:31:20,520 → 00:31:24,830 speak dragon speak yeah Bacchus Bacchus
00:31:24,840 → 00:31:28,909 right shows up right Bacchus why you
00:31:28,919 → 00:31:30,169 need to know that when you're dealing
00:31:30,179 → 00:31:32,690 with Medea you're dealing with you're
00:31:32,700 → 00:31:34,990 dealing with the bucket cult
00:31:35,000 → 00:31:38,990 yes yes during her existence as she
00:31:39,000 → 00:31:40,490 walked around
00:31:40,500 → 00:31:43,430 she was called Diana
00:31:43,440 → 00:31:46,070 right it wasn't her
00:31:46,080 → 00:31:49,310 being named after the god
00:31:49,320 → 00:31:52,970 it was her
Section 87: 00:31:52,980 – 00:32:07,970
00:31:52,980 → 00:31:55,970 she was the source she she was the
00:31:55,980 → 00:31:59,389 source of dianic worship
00:31:59,399 → 00:32:03,590 all right she has the right to kill
00:32:03,600 → 00:32:07,970 The Stranger
Section 88: 00:32:07,980 – 00:32:37,850
00:32:07,980 → 00:32:11,870 it's gorgeous absolutely gorgeous
00:32:11,880 → 00:32:13,370 um we're going to get into the death and
00:32:13,380 → 00:32:15,710 stuff I'm telling you the drugs don't
00:32:15,720 → 00:32:17,690 worry the drugs will ground us that's
00:32:17,700 → 00:32:20,930 our Salvation these drugs will ground us
00:32:20,940 → 00:32:23,090 because they're going to show up here in
00:32:23,100 → 00:32:24,409 the text in a minute you're gonna be
00:32:24,419 → 00:32:26,810 like oh yeah a lot of people tell me
00:32:26,820 → 00:32:28,250 that all the time they're like oh I
00:32:28,260 → 00:32:30,950 didn't think you actually met or I
00:32:30,960 → 00:32:32,570 didn't think that there was actually
00:32:32,580 → 00:32:35,269 support for this or I didn't think that
00:32:35,279 → 00:32:37,850 there was you were actually right right
Section 89: 00:32:37,860 – 00:33:16,490
00:32:37,860 → 00:32:40,549 it's not about theories and it's not
00:32:40,559 → 00:32:43,549 about writing books and keeping your
00:32:43,559 → 00:32:44,409 position
00:32:44,419 → 00:32:48,710 and establishing a hoo-ha bruja it's
00:32:48,720 → 00:32:50,690 about those texts and about our
00:32:50,700 → 00:32:51,830 integrity
00:32:51,840 → 00:32:54,289 all right the translation of those texts
00:32:54,299 → 00:32:56,990 that's really what matters here
00:32:57,000 → 00:32:59,330 so let's go back let's let's keep
00:32:59,340 → 00:33:01,370 jumping in see if we can go a little bit
00:33:01,380 → 00:33:03,830 deeper thanks for your patience tonight
00:33:03,840 → 00:33:05,630 next quote
00:33:05,640 → 00:33:07,669 yes okay
00:33:07,679 → 00:33:10,010 um on the second line on the second line
00:33:10,020 → 00:33:12,889 down cognosco how do you like that it
00:33:12,899 → 00:33:14,090 sounds like
00:33:14,100 → 00:33:16,490 a little more Barry White in there maybe
Section 90: 00:33:16,500 – 00:33:44,630
00:33:16,500 → 00:33:18,350 cognosco
00:33:18,360 → 00:33:20,769 I recognize
00:33:20,779 → 00:33:22,450 secrets
00:33:22,460 → 00:33:24,950 that's Medea talking
00:33:24,960 → 00:33:27,409 she understands
00:33:27,419 → 00:33:31,610 the secrets or the hidden things of the
00:33:31,620 → 00:33:32,810 polls
00:33:32,820 → 00:33:35,029 do you know who she is
00:33:35,039 → 00:33:37,990 do you know those poll Lords
00:33:38,000 → 00:33:44,630 SI morbus edit if there will be disease
Section 91: 00:33:44,640 – 00:34:27,589
00:33:44,640 → 00:33:50,210 if war is undertaken if it rains and
00:33:50,220 → 00:33:53,450 floods everything out
00:33:53,460 → 00:33:56,930 or if the sky
00:33:56,940 → 00:33:59,690 is blazoned
00:33:59,700 → 00:34:02,330 with the horns
00:34:02,340 → 00:34:05,889 of the red flames
00:34:05,899 → 00:34:08,389 kurusket in Latin is a great verb it
00:34:08,399 → 00:34:10,970 actually does it it it's the image of
00:34:10,980 → 00:34:13,970 horns driving through something love
00:34:13,980 → 00:34:17,450 that and yeah look at the last this is a
00:34:17,460 → 00:34:20,210 really cute I mean this is the most
00:34:20,220 → 00:34:22,609 hilarious thing I've seen this bottom
00:34:22,619 → 00:34:27,589 line here at Tu medium crazy yasan
Section 92: 00:34:27,599 – 00:34:47,829
00:34:27,599 → 00:34:29,930 right so she's addressing that first
00:34:29,940 → 00:34:31,970 that first
00:34:32,700 → 00:34:35,690 you could say rapist
00:34:35,700 → 00:34:39,710 um and not be wrong because he's a dude
00:34:39,720 → 00:34:41,570 on a boat
00:34:41,580 → 00:34:45,409 who sails in a town abducts a woman and
00:34:45,419 → 00:34:47,829 sails away
Section 93: 00:34:47,839 – 00:35:05,810
00:34:47,839 → 00:34:49,389 right
00:34:49,399 → 00:34:53,690 so look at what look at what the medwa
00:34:53,700 → 00:34:55,129 has to do
00:34:55,139 → 00:34:58,730 right and he's just the first
00:34:58,740 → 00:35:01,250 he's just the first the dude comes in
00:35:01,260 → 00:35:03,890 and he takes for the sake of sexual
00:35:03,900 → 00:35:05,810 purposes
Section 94: 00:35:05,820 – 00:35:14,690
00:35:05,820 → 00:35:09,170 yeah he abducts
00:35:09,180 → 00:35:14,690 for the nymphising of the virgin
Section 95: 00:35:14,700 – 00:35:54,290
00:35:14,700 → 00:35:16,670 yeah
00:35:16,680 → 00:35:20,329 yeah now it happened to be and we're
00:35:20,339 → 00:35:21,589 going to get into that with the dragons
00:35:21,599 → 00:35:23,270 that
00:35:23,880 → 00:35:27,230 uh remember that Medea is involved at a
00:35:27,240 → 00:35:30,670 very high level of late Bronze Age
00:35:30,680 → 00:35:34,490 Society she is a queen and eventually
00:35:34,500 → 00:35:36,770 she ends up
00:35:37,380 → 00:35:40,609 um with what you could call as the the
00:35:40,619 → 00:35:44,210 origins of the medo-persian power
00:35:44,220 → 00:35:45,829 yeah
00:35:45,839 → 00:35:48,349 yeah as a matter of fact we call them
00:35:48,359 → 00:35:51,650 medes because of her name
00:35:51,660 → 00:35:54,290 yeah Medea
Section 96: 00:35:54,300 – 00:36:43,250
00:35:54,300 → 00:35:57,410 right the medewa
00:35:57,420 → 00:36:02,870 the dewanasa yeah or the deewana
00:36:02,880 → 00:36:05,690 yeah nice it's gorgeous a lot more of
00:36:05,700 → 00:36:07,430 it's coming through the Latin than you
00:36:07,440 → 00:36:09,470 think right everybody's been emphasizing
00:36:09,480 → 00:36:11,750 and I have for the first two seasons
00:36:11,760 → 00:36:16,190 I've been giving you all Greek sources
00:36:16,200 → 00:36:19,910 well as any philologist and this is what
00:36:19,920 → 00:36:21,650 separates when you're out there shopping
00:36:21,660 → 00:36:24,349 around and somebody's telling you this
00:36:24,359 → 00:36:27,650 is the Mysteries blah blah blah right
00:36:27,660 → 00:36:30,410 ask and they say Greek
00:36:30,420 → 00:36:33,829 blah blah blah you can test them if they
00:36:33,839 → 00:36:36,950 can't do ancient Latin
00:36:36,960 → 00:36:40,870 sources good ancient Latin sources then
00:36:40,880 → 00:36:43,250 uh don't believe them because their
Section 97: 00:36:43,260 – 00:37:32,089
00:36:43,260 → 00:36:46,010 Greek wasn't gained through the Avenue
00:36:46,020 → 00:36:48,349 of classical philology
00:36:48,359 → 00:36:50,810 yeah right and every classical
00:36:50,820 → 00:36:52,430 philologist
00:36:52,440 → 00:36:55,970 takes for granted that these two
00:36:55,980 → 00:36:57,730 cultures
00:36:57,740 → 00:36:59,930 produced languages
00:36:59,940 → 00:37:03,410 that interacted with each other
00:37:03,420 → 00:37:04,970 and
00:37:04,980 → 00:37:08,690 that hide the the real goodies
00:37:08,700 → 00:37:11,329 the real goodies right like what's the
00:37:11,339 → 00:37:14,810 difference between a Greek guys right
00:37:14,820 → 00:37:18,829 and somebody a Marcus uh and from the
00:37:18,839 → 00:37:20,630 Latin tradition yeah what's the
00:37:20,640 → 00:37:22,609 difference this kind of thing is
00:37:22,619 → 00:37:26,030 important anyway more tax somebody bring
00:37:26,040 → 00:37:27,109 the tax
00:37:27,119 → 00:37:30,109 chew it another tax please yeah right
00:37:30,119 → 00:37:32,089 right I just want you to see that magnum
Section 98: 00:37:32,099 – 00:37:56,450
00:37:32,099 → 00:37:34,310 look at that last word Magnum right
00:37:34,320 → 00:37:38,270 that's her she is a Maga she is a Maga
00:37:38,280 → 00:37:40,069 so she is a queen
00:37:40,079 → 00:37:41,390 right
00:37:41,400 → 00:37:43,190 she is royalty
00:37:43,200 → 00:37:46,910 yeah and um we're building temples tour
00:37:46,920 → 00:37:49,849 we're building temples to her
00:37:49,859 → 00:37:51,530 um on our side of the fence on the
00:37:51,540 → 00:37:53,150 western side of the fence we call her
00:37:53,160 → 00:37:56,450 angritia
Section 99: 00:37:56,460 – 00:38:23,930
00:37:56,460 → 00:37:59,450 isn't that nice we're gonna see that in
00:37:59,460 → 00:38:02,450 a second it means serpent
00:38:02,460 → 00:38:04,250 means serpent
00:38:04,260 → 00:38:08,150 yeah gorgeous love it lady Babylon
00:38:08,160 → 00:38:11,450 good another source oh look at this
00:38:11,460 → 00:38:14,390 here's our on Quest
00:38:14,400 → 00:38:17,450 here's our enqueues what are these
00:38:17,460 → 00:38:21,950 serpents what do they do they we Brunt
00:38:21,960 → 00:38:23,930 they
Section 100: 00:38:23,940 – 00:38:29,569
00:38:23,940 → 00:38:29,569 bring about vocally sibila
Section 101: 00:38:29,579 – 00:38:35,589
00:38:29,579 → 00:38:35,589 civilizations whisperings
Section 102: 00:38:35,599 – 00:38:42,730
00:38:35,599 → 00:38:42,730 under their Viper teeth
Section 103: 00:38:42,740 – 00:39:12,829
00:38:42,740 → 00:38:46,670 these anguists you know a lot of Greeks
00:38:46,680 → 00:38:48,109 bring it back up because now I'm gonna
00:38:48,119 → 00:38:50,690 look this is inevitable you're gonna get
00:38:50,700 → 00:38:53,210 this there's conflicts and Antiquity
00:38:53,220 → 00:38:55,130 right linguistically there's conflicts
00:38:55,140 → 00:38:57,290 and people will argue they'll tell you
00:38:57,300 → 00:38:59,329 no no this is a Greek word of Greek
00:38:59,339 → 00:39:01,250 origin and the other side Romans would
00:39:01,260 → 00:39:03,290 be like no no there's a Latin word Latin
00:39:03,300 → 00:39:05,390 origin here but most of the time you can
00:39:05,400 → 00:39:07,130 tell pretty easily
00:39:07,140 → 00:39:08,990 but sometimes they fight over the
00:39:09,000 → 00:39:10,490 concepts
00:39:10,500 → 00:39:12,829 and um that's what you're going to see
Section 104: 00:39:12,839 – 00:39:46,250
00:39:12,839 → 00:39:16,069 here but bring up that text again
00:39:16,079 → 00:39:19,790 same one please
00:39:21,720 → 00:39:24,710 there we go so that last word uh sorry
00:39:24,720 → 00:39:27,650 the last word anguish their serpents so
00:39:27,660 → 00:39:31,430 angitia or anguitia we have a temple to
00:39:31,440 → 00:39:33,950 her and we know from our ancient
00:39:33,960 → 00:39:36,490 authorities that that's what they called
00:39:36,500 → 00:39:40,550 Medea in Italy okay okay and there's
00:39:40,560 → 00:39:42,410 Temple stir anyway look at the first
00:39:42,420 → 00:39:43,790 word
00:39:43,800 → 00:39:46,250 sibila
Section 105: 00:39:46,260 – 00:40:10,310
00:39:46,260 → 00:39:48,829 yeah you want to say
00:39:48,839 → 00:39:52,190 are civilizations the same thing the
00:39:52,200 → 00:39:55,490 Civil gives off and the Greeks say no no
00:39:55,500 → 00:39:59,630 it's not it's C Sybil is from C
00:39:59,640 → 00:40:01,670 plus boule
00:40:01,680 → 00:40:04,190 C plus Boule the Greek which means
00:40:04,200 → 00:40:07,790 Council and C is the tyrannian
00:40:07,800 → 00:40:10,310 or Etruscan
Section 106: 00:40:10,320 – 00:40:28,069
00:40:10,320 → 00:40:14,650 for those Gods thank you John
00:40:14,660 → 00:40:17,990 so is there an Etruscan connection there
00:40:18,000 → 00:40:22,030 was C Boule perhaps
00:40:22,040 → 00:40:24,490 these whisperings
00:40:24,500 → 00:40:28,069 the civilizations
Section 107: 00:40:28,079 – 00:40:42,830
00:40:28,079 → 00:40:34,030 right are associated with oracular cult
00:40:34,040 → 00:40:38,089 the Civil who is that serpent I mean
00:40:38,099 → 00:40:40,849 they're calling her for Frick's sake uh
00:40:40,859 → 00:40:42,830 pythia
Section 108: 00:40:42,840 – 00:40:44,290
00:40:42,840 → 00:40:44,290 [Music]
Section 109: 00:40:44,300 – 00:41:05,450
00:40:44,300 → 00:40:50,210 Medea is the one that started this
00:40:50,220 → 00:40:52,910 if you don't believe me ask pindar
00:40:52,920 → 00:40:56,030 who provides her in a fourth pythian out
00:40:56,040 → 00:41:00,050 he provides her prophecy that came from
00:41:00,060 → 00:41:03,170 her mouth when she was on the island of
00:41:03,180 → 00:41:05,450 pharah
Section 110: 00:41:05,460 – 00:41:13,370
00:41:05,460 → 00:41:08,290 it was preserved
00:41:08,300 → 00:41:13,370 by the pythian Priestess
Section 111: 00:41:13,380 – 00:41:45,410
00:41:13,380 → 00:41:16,190 that was in wrapped up in what
00:41:17,579 → 00:41:21,589 pandar was describing so anyway I'm good
00:41:21,599 → 00:41:24,230 stuff no let's get come on more more
00:41:24,240 → 00:41:25,609 we're almost we're almost through it you
00:41:25,619 → 00:41:27,349 gotta I just want to see it Lucifer's
00:41:27,359 → 00:41:30,710 there fantastic right fantastic there we
00:41:30,720 → 00:41:33,950 are Lucifer right very important Aurora
00:41:33,960 → 00:41:36,050 that's why he saw Aurora before because
00:41:36,060 → 00:41:38,210 you know that what family are we in
00:41:38,220 → 00:41:40,970 we're in the family of the dawnbringers
00:41:40,980 → 00:41:43,190 right these are the dawnbringers
00:41:43,200 → 00:41:45,410 okay
Section 112: 00:41:45,420 – 00:42:13,150
00:41:45,420 → 00:41:48,710 oh look at this okay now for those of
00:41:48,720 → 00:41:51,770 you who think you're so smarty smart
00:41:51,780 → 00:41:53,750 here is something
00:41:53,760 → 00:41:56,089 out of her lips
00:41:56,099 → 00:41:59,329 right so we're within cult we're looking
00:41:59,339 → 00:42:02,150 at imprecation
00:42:02,160 → 00:42:04,970 right that's coming from her
00:42:04,980 → 00:42:06,950 it's coming from the source of the
00:42:06,960 → 00:42:08,750 burning purple
00:42:08,760 → 00:42:13,150 she says Soul testis hours
Section 113: 00:42:13,160 – 00:42:18,050
00:42:13,160 → 00:42:18,050 grandfather son Witness
Section 114: 00:42:18,060 – 00:42:40,490
00:42:18,060 → 00:42:22,069 yeah sun is an s-u-n right soul
00:42:22,079 → 00:42:24,170 and for those of you who don't smell
00:42:24,180 → 00:42:26,569 Rome yet you should start to now because
00:42:26,579 → 00:42:30,470 the worship of soul is very important
00:42:30,480 → 00:42:34,430 this is her aus
00:42:34,440 → 00:42:40,490 her grandfather
Section 115: 00:42:40,500 – 00:43:07,130
00:42:40,500 → 00:42:43,790 oh do you like that do you like that
00:42:43,800 → 00:42:47,930 Percy's and mithras oh that's me if you
00:42:47,940 → 00:42:50,569 don't love that you're in a bad place
00:42:50,579 → 00:42:54,230 guess where this is coming from guess
00:42:54,240 → 00:42:58,910 where Mithra or Mitra is coming from
00:42:58,920 → 00:43:01,490 is coming from the dawnbringers
00:43:01,500 → 00:43:03,010 right
00:43:03,020 → 00:43:07,130 Luna deck was noctis Moon
Section 116: 00:43:07,140 – 00:43:37,910
00:43:07,140 → 00:43:09,250 that beauty of night
00:43:09,260 → 00:43:11,109 Fourier
00:43:11,119 → 00:43:15,650 the furies wait a minute yes Medea who
00:43:15,660 → 00:43:19,430 is the Priestess
00:43:19,440 → 00:43:22,910 of the right
00:43:22,920 → 00:43:26,569 the right to murder The Stranger
00:43:26,579 → 00:43:28,609 she's that Priestess
00:43:28,619 → 00:43:32,569 and she is invoking
00:43:32,579 → 00:43:34,670 her grandfather
00:43:34,680 → 00:43:37,910 mitras
Section 117: 00:43:37,920 – 00:44:16,790
00:43:37,920 → 00:43:39,650 beautiful
00:43:39,660 → 00:43:41,930 and we have the furies right because
00:43:41,940 → 00:43:45,290 this is the abominable
00:43:45,300 → 00:43:46,849 right
00:43:46,859 → 00:43:49,069 we thought it was over but when you
00:43:49,079 → 00:43:52,309 stand before those Gates it turns out
00:43:52,319 → 00:43:55,130 the universe strains you
00:43:55,140 → 00:43:59,210 Pro serpina and pluton oh this is a
00:43:59,220 → 00:44:01,309 death cult this is an underworld death
00:44:01,319 → 00:44:03,890 cult yeah you're right that's why it's
00:44:03,900 → 00:44:06,950 wrong for the poet to know this
00:44:06,960 → 00:44:10,670 wrong for the poet to profane but how is
00:44:10,680 → 00:44:13,849 Medea described as the profaning
00:44:13,859 → 00:44:16,790 Priestess
Section 118: 00:44:16,800 – 00:44:30,670
00:44:16,800 → 00:44:21,490 are you beginning to see Lady Babylon
00:44:21,500 → 00:44:24,349 's Animas
00:44:24,359 → 00:44:30,670 yeah receive the souls radiating Sun
Section 119: 00:44:30,680 – 00:45:06,890
00:44:30,680 → 00:44:35,630 you the bodies Luna the nutrient of the
00:44:35,640 → 00:44:38,270 Soul
00:44:38,280 → 00:44:41,450 um lovely
00:44:41,460 → 00:44:44,150 um at the very last the line look at the
00:44:44,160 → 00:44:46,910 last word this is a gorgeous word
00:44:46,920 → 00:44:48,109 umbras
00:44:48,119 → 00:44:51,109 uras
00:44:51,119 → 00:44:52,490 umbras
00:44:52,500 → 00:44:55,569 it means shades
00:44:55,579 → 00:44:59,270 Shades those shades of those who came
00:44:59,280 → 00:45:01,010 before us
00:45:01,020 → 00:45:02,450 right
00:45:02,460 → 00:45:04,250 the leader
00:45:04,260 → 00:45:06,890 of night
Section 120: 00:45:06,900 – 00:45:32,640
00:45:06,900 → 00:45:10,790 will bring those forward
00:45:10,800 → 00:45:12,650 death
00:45:12,660 → 00:45:15,530 the dead shall rise again
00:45:15,540 → 00:45:17,150 can we get a little less of the
00:45:17,160 → 00:45:19,010 background I hope that backgrounds
00:45:19,020 → 00:45:21,230 that's not creeping in let me know in
00:45:21,240 → 00:45:24,349 the chat if you're picking a background
00:45:24,359 → 00:45:25,670 um fantastic
00:45:25,680 → 00:45:27,290 um one more let's get another
00:45:27,300 → 00:45:29,510 let's get another one please
00:45:29,520 → 00:45:32,640 um I just wanted to see Moses is here
Section 121: 00:45:32,650 – 00:45:35,390
00:45:32,650 → 00:45:35,390 [Music]
Section 122: 00:45:35,400 – 00:46:12,770
00:45:35,400 → 00:45:38,750 right but here he is right we dug up
00:45:38,760 → 00:45:41,630 Moses tonight and he don't be surprised
00:45:41,640 → 00:45:44,750 you saw the snake thing you saw a fact
00:45:44,760 → 00:45:47,750 that he made a little tent where you
00:45:47,760 → 00:45:50,210 could walk into it and if you didn't
00:45:50,220 → 00:45:52,970 pass out you could hear the voice of
00:45:52,980 → 00:45:55,609 Jehovah you heard that right he's the
00:45:55,619 → 00:45:58,849 Muse baby right this is uh by the way
00:45:58,859 → 00:46:01,670 this is a pretty contemporary stuff you
00:46:01,680 → 00:46:03,530 know what I mean so
00:46:03,540 → 00:46:07,010 um Moses it turns out was one of the
00:46:07,020 → 00:46:12,770 earliest Corruptions of Medea's mystery
Section 123: 00:46:12,780 – 00:46:31,490
00:46:12,780 → 00:46:16,010 yes Moses isn't that neat Jesus came
00:46:16,020 → 00:46:20,390 later and added another Corruption of
00:46:20,400 → 00:46:24,050 the right and for those of you who need
00:46:24,060 → 00:46:25,910 it more directly Judaism and
00:46:25,920 → 00:46:29,210 Christianity are both The Offspring of
00:46:29,220 → 00:46:31,490 pagan mystery
Section 124: 00:46:31,500 – 00:47:11,150
00:46:31,500 → 00:46:34,309 a thousand years before either of them
00:46:34,319 → 00:46:37,490 had anybody on the scene in diapers
00:46:37,500 → 00:46:40,069 yes this is wonderful let's go another
00:46:40,079 → 00:46:41,329 one
00:46:41,339 → 00:46:44,630 yes um she she has a chariot right she
00:46:44,640 → 00:46:46,309 has a chariot which is a fearful thing
00:46:46,319 → 00:46:47,870 and
00:46:47,880 → 00:46:50,329 um these dragons
00:46:50,339 → 00:46:53,750 right they offer up to her right they
00:46:53,760 → 00:46:56,150 they give her their necks
00:46:56,160 → 00:47:00,950 yes these dragons who carry her song it
00:47:00,960 → 00:47:03,290 was dragons that showed up
00:47:03,300 → 00:47:07,309 the night that she burned let's turn the
00:47:07,319 → 00:47:09,290 we're gonna we only have like two quotes
00:47:09,300 → 00:47:11,150 left so we'll get to those but I want
Section 125: 00:47:11,160 – 00:47:24,950
00:47:11,160 → 00:47:13,490 you to know the night I'm going along
00:47:13,500 → 00:47:16,190 I'm sorry the night that she burned
00:47:16,200 → 00:47:18,650 right so get this in your head
00:47:18,660 → 00:47:21,230 she is a queen
00:47:21,240 → 00:47:24,950 in Exile
Section 126: 00:47:24,960 – 00:47:56,030
00:47:24,960 → 00:47:26,210 and
00:47:26,220 → 00:47:28,490 she is
00:47:29,819 → 00:47:33,410 she one night she Burns
00:47:33,420 → 00:47:37,730 the princess and her father to death in
00:47:37,740 → 00:47:40,730 a wedding that was with the yasan
00:47:40,740 → 00:47:42,550 premise
00:47:42,560 → 00:47:45,829 first first Jason and for those of you
00:47:45,839 → 00:47:48,349 have made the connection yet to Jesus
00:47:48,359 → 00:47:53,150 it's the same name it's not Hebrew it's
00:47:53,160 → 00:47:56,030 the same name
Section 127: 00:47:56,040 – 00:48:06,410
00:47:56,040 → 00:47:57,849 in Greek
00:47:57,859 → 00:48:02,410 yazon is a title within mystery cult
00:48:02,420 → 00:48:06,410 just like Christos
Section 128: 00:48:06,420 – 00:48:24,170
00:48:06,420 → 00:48:07,670 yeah
00:48:07,680 → 00:48:10,309 that's interesting so this guy that got
00:48:10,319 → 00:48:12,050 arrested in a public park called
00:48:12,060 → 00:48:16,970 Gethsemane at 4am with a naked boy
00:48:16,980 → 00:48:19,069 and was calling himself a child
00:48:19,079 → 00:48:24,170 trafficker
Section 129: 00:48:24,180 – 00:49:00,710
00:48:24,180 → 00:48:26,750 um he was using a title within a mystery
00:48:26,760 → 00:48:29,450 quote that had to do with the
00:48:29,460 → 00:48:33,109 transmission within the blood
00:48:33,119 → 00:48:35,390 um of the new life
00:48:35,400 → 00:48:39,470 yeah yeah the mystery is not a question
00:48:39,480 → 00:48:43,609 it's an operation it's a performance
00:48:43,619 → 00:48:45,410 yeah and
00:48:45,420 → 00:48:47,450 we know that's why that naked kid was
00:48:47,460 → 00:48:48,950 with him right there were snakes and
00:48:48,960 → 00:48:51,530 stuff he had to bring up the snakes but
00:48:51,540 → 00:48:53,390 let's get to this last for those of you
00:48:53,400 → 00:48:56,089 who doubt who doubt that our snakes are
00:48:56,099 → 00:48:59,150 so important here even after we dredged
00:48:59,160 → 00:49:00,710 up old Moses
Section 130: 00:49:00,720 – 00:49:33,230
00:49:00,720 → 00:49:04,190 and forced him to lift up his staff with
00:49:04,200 → 00:49:06,589 a snake on it he could turn this thing
00:49:06,599 → 00:49:07,970 into a snake
00:49:07,980 → 00:49:10,309 you know what I mean
00:49:10,319 → 00:49:11,809 gorgeous
00:49:11,819 → 00:49:13,670 um even after that if you don't believe
00:49:13,680 → 00:49:16,370 me I'm telling you um they're they're
00:49:16,380 → 00:49:19,430 working on this medically with dotes and
00:49:19,440 → 00:49:22,309 antidotes and let's look at some why the
00:49:22,319 → 00:49:23,630 snakes why the snakes people are gonna
00:49:23,640 → 00:49:25,550 you watch within a
00:49:25,560 → 00:49:27,470 within a period of time people will
00:49:27,480 → 00:49:30,109 catch on to this in Classics and history
00:49:30,119 → 00:49:33,230 and they'll say what about the Venoms
Section 131: 00:49:33,240 – 00:50:10,069
00:49:33,240 → 00:49:37,010 used as drugs right it's just the way I
00:49:37,020 → 00:49:39,349 started spouting this
00:49:39,359 → 00:49:41,450 um years ago trying to get people's
00:49:41,460 → 00:49:43,990 attention but nobody reads these tags
00:49:44,000 → 00:49:46,970 dracontius they're
00:49:46,980 → 00:49:49,790 who reads dracontius
00:49:49,800 → 00:49:52,430 nobody like bring him back up come here
00:49:52,440 → 00:49:54,710 buddy get up here
00:49:54,720 → 00:49:58,069 bring him another uh another jacontius
00:49:58,079 → 00:50:10,069 yeah auspicious
Section 132: 00:50:10,079 – 00:50:39,650
00:50:10,079 → 00:50:13,069 you hear a little bit of the this is a
00:50:13,079 → 00:50:14,510 couplet right
00:50:14,520 → 00:50:18,230 ah ellijayak couplet it's got a line of
00:50:18,240 → 00:50:21,349 hexameter and line of pentameter it
00:50:21,359 → 00:50:24,230 loses a foot
00:50:24,240 → 00:50:27,170 somewhere in the middle anyway
00:50:27,180 → 00:50:28,609 um you can hear a little bit of it there
00:50:28,619 → 00:50:31,790 kind of probably set the no Rhymes
00:50:31,800 → 00:50:33,530 because we don't rhyme
00:50:33,540 → 00:50:36,890 it's more sophisticated right it's meter
00:50:36,900 → 00:50:39,650 anyway
Section 133: 00:50:39,660 – 00:51:02,089
00:50:40,520 → 00:50:44,569 let's translate this right so your ass
00:50:44,579 → 00:50:49,010 can kill you right but your your snakes
00:50:49,020 → 00:50:51,650 also are medicines right they also have
00:50:51,660 → 00:50:54,890 medicines this says right your vipers
00:50:54,900 → 00:50:57,650 you know oftentimes help
00:50:57,660 → 00:51:02,089 right and oftentimes they kill
Section 134: 00:51:02,099 – 00:51:25,309
00:51:02,099 → 00:51:05,450 they kill it look at this here is the
00:51:05,460 → 00:51:09,890 here is the um here oh yeah I feel like
00:51:09,900 → 00:51:13,370 glow can you feel like look warm it's
00:51:13,380 → 00:51:16,609 like around this midsection
00:51:16,619 → 00:51:19,510 it's like a a bottom glow we'll call it
00:51:19,520 → 00:51:25,309 yes right no offense Sir With It
Section 135: 00:51:25,319 – 00:52:02,900
00:51:25,319 → 00:51:29,809 um yeah now I forgot where I was look
00:51:29,819 → 00:51:31,730 what happened I'm lost
00:51:31,740 → 00:51:35,089 um here we are the Vipers can help and
00:51:35,099 → 00:51:37,370 um they can kill right so this whole
00:51:37,380 → 00:51:40,790 idea of this balance between the doubt
00:51:40,800 → 00:51:42,710 and the antidote don't think that it's
00:51:42,720 → 00:51:46,130 not there it's it's the central heart of
00:51:46,140 → 00:51:47,870 the mystery
00:51:47,880 → 00:51:49,730 um is there one more give me one more
00:51:49,740 → 00:51:52,370 quote here I'm sorry oh this is gonna
00:51:52,380 → 00:51:53,990 wrap it all you guys are gonna love this
00:51:54,000 → 00:51:56,210 I'll try to talk again kind of more
00:51:56,220 → 00:52:02,900 seriously delicious
Section 136: 00:52:02,910 – 00:52:09,470
00:52:02,910 → 00:52:09,470 [Music]
Section 137: 00:52:09,480 – 00:52:20,329
00:52:09,480 → 00:52:11,569 oh isn't that nice
00:52:11,579 → 00:52:13,670 conkula
00:52:13,680 → 00:52:20,329 yeah that shell that little creature
Section 138: 00:52:20,339 – 00:52:45,549
00:52:20,339 → 00:52:23,510 brings us the Delights
00:52:23,520 → 00:52:26,530 and the death
00:52:26,540 → 00:52:28,510 from that
00:52:28,520 → 00:52:32,270 deep deep wave
00:52:32,280 → 00:52:35,750 yeah she brings forth
00:52:35,760 → 00:52:37,190 the
00:52:37,200 → 00:52:40,190 true riches
00:52:40,200 → 00:52:45,549 of the burning purple
Section 139: 00:52:45,559 – 00:53:09,530
00:52:45,559 → 00:52:48,170 in that second line of the couplet
00:52:48,180 → 00:52:50,329 padalaji
00:52:50,339 → 00:52:52,730 is a word that you can use to represent
00:52:52,740 → 00:52:54,950 the sea
00:52:54,960 → 00:52:57,650 or specifically
00:52:57,660 → 00:53:02,089 the sea mollusk that gives us the purple
00:53:02,099 → 00:53:04,549 that is our
00:53:04,559 → 00:53:09,530 Phoenix our Phoenician power
Section 140: 00:53:09,540 – 00:53:30,710
00:53:09,540 → 00:53:12,290 yes you should see it and that's why
00:53:12,300 → 00:53:15,470 that Phoenician princess
00:53:15,480 → 00:53:18,349 what is your name what is the name she's
00:53:18,359 → 00:53:22,549 royalty she's the Priestess of a start
00:53:22,559 → 00:53:25,910 right I think you call her Jezebel
00:53:25,920 → 00:53:30,710 Jezebel
Section 141: 00:53:30,720 – 00:54:00,109
00:53:30,720 → 00:53:34,849 love it love it lady Babylon what does
00:53:34,859 → 00:53:37,730 she have on her forehead
00:53:37,740 → 00:53:40,010 she has one name
00:53:40,020 → 00:53:43,569 she of a thousand names has one name
00:53:43,579 → 00:53:45,109 mystery
00:53:45,119 → 00:53:46,809 it was hers
00:53:46,819 → 00:53:50,630 historically she started it
00:53:50,640 → 00:53:52,670 it was only
00:53:52,680 → 00:54:00,109 uh it was only accessible through her
Section 142: 00:54:00,119 – 00:54:38,930
00:54:00,119 → 00:54:02,450 is that is that our final that's your
00:54:02,460 → 00:54:04,670 final quote right good
00:54:04,680 → 00:54:06,950 um I also there's a lot
00:54:06,960 → 00:54:09,470 um from dracontius over the next
00:54:09,480 → 00:54:14,990 uh six weeks we are going to
00:54:15,000 → 00:54:17,690 focus on the Roman side
00:54:17,700 → 00:54:20,630 we're going to focus on
00:54:20,640 → 00:54:24,530 yep on the this being the first week for
00:54:24,540 → 00:54:26,870 the next six times that we meet we're
00:54:26,880 → 00:54:30,230 going to focus on that burning purple
00:54:30,240 → 00:54:35,150 and upon finding it and looking at the
00:54:36,420 → 00:54:38,930 the right
Section 143: 00:54:38,940 – 00:54:53,870
00:54:38,940 → 00:54:43,609 as the exercise of regenerating the
00:54:43,619 → 00:54:45,890 oracle
00:54:45,900 → 00:54:49,150 so lady Babylon
00:54:49,160 → 00:54:53,870 can be made visible
Section 144: 00:54:53,880 – 00:55:31,549
00:54:53,880 → 00:54:55,970 that's what they call it
00:54:55,980 → 00:54:58,970 making the invisible visible
00:54:58,980 → 00:55:02,870 yes it's it's gorgeous and
00:55:02,880 → 00:55:04,790 I will be bringing out little bits of
00:55:04,800 → 00:55:07,250 draconthius here and there that are at
00:55:07,260 → 00:55:09,049 the point that I think that would be
00:55:09,059 → 00:55:10,790 most appropriate
00:55:10,800 → 00:55:13,190 um but I do have a game plan
00:55:13,200 → 00:55:15,470 for this third season
00:55:15,480 → 00:55:19,670 and we will be jumping into some rich
00:55:19,680 → 00:55:22,069 rich Waters that you're not going to get
00:55:22,079 → 00:55:23,630 if you want to sit around listen to
00:55:23,640 → 00:55:26,210 people's theories right we don't need
00:55:26,220 → 00:55:28,730 theories right we don't need to sell
00:55:28,740 → 00:55:31,549 books we're not sell books brother right
Section 145: 00:55:31,559 – 00:55:51,230
00:55:31,559 → 00:55:33,109 all right
00:55:33,119 → 00:55:34,730 um I think what I'm going to do is is
00:55:34,740 → 00:55:38,390 invite uh quick here for the last 10
00:55:38,400 → 00:55:43,370 minutes to invite Snappy and uh Rob do
00:55:43,380 → 00:55:45,770 we have Rob here as well what um why
00:55:45,780 → 00:55:48,049 don't we start with Snappy and snappy
00:55:48,059 → 00:55:51,230 tell me uh
Section 146: 00:55:51,240 – 00:56:16,130
00:55:51,240 → 00:55:54,049 uh your Reflections tonight on what on
00:55:54,059 → 00:55:55,849 dracanthius
00:55:55,859 → 00:55:58,010 I'm I'm completely blown away it's it's
00:55:58,020 → 00:56:01,670 absolutely uh amazing
00:56:02,460 → 00:56:04,490 it is it connects all the dots and it
00:56:04,500 → 00:56:06,230 shows that this tradition had survived
00:56:06,240 → 00:56:09,170 well into the Roman times and like it's
00:56:09,180 → 00:56:10,309 everything you've been talking about
00:56:10,319 → 00:56:13,130 it's I I I'm still processing I need
00:56:13,140 → 00:56:16,130 some time
Section 147: 00:56:16,140 – 00:56:50,089
00:56:16,140 → 00:56:19,250 awesome awesome Rob what are you what's
00:56:19,260 → 00:56:22,430 your uh by the way it's Snappy you're
00:56:22,440 → 00:56:24,290 gonna have to defend your title right
00:56:24,300 → 00:56:26,089 because you and clonius are kind of
00:56:26,099 → 00:56:28,910 co-champs next Friday we'll have a fight
00:56:28,920 → 00:56:31,549 night a Fight Club
00:56:31,559 → 00:56:33,650 um and uh I'm looking forward to it
00:56:33,660 → 00:56:35,870 looking forward to it so we're gonna do
00:56:37,020 → 00:56:39,049 anyway next Friday
00:56:39,059 → 00:56:40,430 um Rob what are you what's your
00:56:40,440 → 00:56:50,089 impression any impression or anything
Section 148: 00:56:50,099 – 00:57:15,309
00:56:50,099 → 00:56:53,089 yeah I feel sick that was a that was a
00:56:53,099 → 00:56:55,790 big meal a lot of courses that was and
00:56:55,800 → 00:56:58,790 it's everything I want today
00:56:58,800 → 00:56:59,990 it's
00:57:00,000 → 00:57:02,990 it's beyond um
00:57:03,000 → 00:57:06,109 it's just it's wrote all this in poetry
00:57:06,119 → 00:57:09,230 is this all in poetry I mean I'm tying
00:57:09,240 → 00:57:11,210 up so many ends here I mean you got
00:57:11,220 → 00:57:15,309 Jezebel
Section 149: 00:57:15,319 – 00:57:58,190
00:57:15,319 → 00:57:18,710 where's the prince Isabel
00:57:18,720 → 00:57:20,690 where's the prince and then you bring in
00:57:20,700 → 00:57:22,430 the prince
00:57:22,440 → 00:57:23,930 caps
00:57:23,940 → 00:57:26,329 and that sees it and I'm
00:57:26,339 → 00:57:28,670 connecting just
00:57:28,680 → 00:57:31,069 I I can't I can't get over it be honest
00:57:31,079 → 00:57:35,690 with it this is One Source who's brought
00:57:36,599 → 00:57:38,510 it's just unbelievable
00:57:38,520 → 00:57:41,809 it is
00:57:41,819 → 00:57:44,690 where can you get this material if I
00:57:44,700 → 00:57:46,549 want to read all this where can you get
00:57:47,880 → 00:57:50,089 it's just amazing
00:57:50,099 → 00:57:52,790 yeah you know that's a good question
00:57:52,800 → 00:57:55,250 that's a good question Rob where can you
00:57:55,260 → 00:57:58,190 get this and I was inviting how's he
Section 150: 00:57:58,200 – 00:58:48,289
00:57:58,200 → 00:58:01,069 writing this is it is it poetry is it
00:58:01,079 → 00:58:05,630 verse sorry yes yeah it's verse yeah and
00:58:05,640 → 00:58:10,970 it's in the verse that is used by the
00:58:10,980 → 00:58:14,089 um oracular Cults it is the dactylic
00:58:14,099 → 00:58:17,870 hexameter and um so when of course
00:58:17,880 → 00:58:21,230 winonas who's writing his great epic of
00:58:21,240 → 00:58:24,589 Dionysus he's going to use the same
00:58:24,599 → 00:58:28,309 um way of poetry the same Melody right
00:58:28,319 → 00:58:32,569 the same marching uh order that
00:58:32,579 → 00:58:36,109 um the priestesses who are performing
00:58:36,119 → 00:58:39,890 these rights that they're using right so
00:58:39,900 → 00:58:42,170 there's a level of authenticity to what
00:58:42,180 → 00:58:45,470 dracontius is doing and honestly some of
00:58:45,480 → 00:58:48,289 the vocabulary that he uses is just it's
Section 151: 00:58:48,299 – 00:59:18,970
00:58:48,299 → 00:58:50,750 incredible it's it's
00:58:51,780 → 00:58:54,829 um you can see the influence of the
00:58:54,839 → 00:58:57,530 Etruscan right it's right right there
00:58:57,540 → 00:58:59,930 out in the open and
00:58:59,940 → 00:59:02,450 um the richness of this bronze this
00:59:02,460 → 00:59:05,930 early Bronze Age cult you know which if
00:59:05,940 → 00:59:07,670 you can get just a glimpse of it you're
00:59:07,680 → 00:59:09,770 a good you know you're in good shape but
00:59:09,780 → 00:59:11,390 that's what the language does it brings
00:59:11,400 → 00:59:12,470 us that
00:59:12,480 → 00:59:15,170 um uh let me ask Snappy
00:59:15,180 → 00:59:18,970 Snappy how's your um
Section 152: 00:59:18,980 – 00:59:53,809
00:59:18,980 → 00:59:23,450 project of interviewing going I mean
00:59:23,460 → 00:59:25,130 I've I noticed that you're getting
00:59:25,140 → 00:59:27,650 you're kind of getting more focused what
00:59:27,660 → 00:59:29,510 are your interviews going to start kind
00:59:29,520 → 00:59:32,450 of what do you want to focus on
00:59:32,460 → 00:59:34,910 um well right now I'm I'm focusing on
00:59:34,920 → 00:59:36,349 interviewing people who have been
00:59:36,359 → 00:59:38,030 connected to this and I've been enjoying
00:59:38,040 → 00:59:40,490 the conversations here uh tomorrow I'm
00:59:40,500 → 00:59:43,130 going to be talking with uh Nick
00:59:43,140 → 00:59:45,589 cathonius who uh it's the joint Fight
00:59:45,599 → 00:59:47,390 Club winner that should be good tomorrow
00:59:47,400 → 00:59:50,270 night but really what I focus on is is
00:59:50,280 → 00:59:53,809 magical practice and how we actually
Section 153: 00:59:53,819 – 01:00:24,770
00:59:53,819 → 00:59:56,750 utilize these this these Mysteries and
00:59:56,760 → 00:59:58,130 what you've been showing us and what
00:59:58,140 → 00:59:59,510 we've been doing here like there's been
00:59:59,520 → 01:00:01,789 so much discussion about things like the
01:00:01,799 → 01:00:04,609 sortes and necromancy I really want to
01:00:04,619 → 01:00:06,530 explore those Topics in depth and I want
01:00:06,540 → 01:00:07,490 to have
01:00:07,500 → 01:00:09,289 um additional speakers who know about
01:00:09,299 → 01:00:12,170 that kind of History come on as well
01:00:12,180 → 01:00:15,530 ah see how see how that sounds good yeah
01:00:15,540 → 01:00:17,870 no that's see that's alluring that makes
01:00:17,880 → 01:00:21,230 me wanna oh yeah fantastic Rob what are
01:00:21,240 → 01:00:24,770 you what are you doing for the world Rob
Section 154: 01:00:24,780 – 01:01:02,589
01:00:24,780 → 01:00:28,130 Landing Greek at many that's why that's
01:00:28,140 → 01:00:31,250 where my focus has been but um we need
01:00:31,260 → 01:00:33,049 somewhere where we can
01:00:33,059 → 01:00:36,829 go and meet and we're kind of restricted
01:00:36,839 → 01:00:37,849 at the minute so I'm not going to go
01:00:37,859 → 01:00:39,349 into details but
01:00:39,359 → 01:00:42,170 coming Wednesday I think we might have a
01:00:42,180 → 01:00:45,289 well we will have a solution there'll be
01:00:45,299 → 01:00:47,930 another Discord going live on Wednesday
01:00:47,940 → 01:00:51,230 and I'll give the address out and and
01:00:51,240 → 01:00:55,130 I'll be prepared and ready for it but
01:00:55,740 → 01:00:58,130 it's rather focusing on these episodes
01:00:58,140 → 01:01:02,589 this episode is like the epitome of what
Section 155: 01:01:02,599 – 01:01:40,490
01:01:02,599 → 01:01:05,930 this Discord will be about
01:01:05,940 → 01:01:09,170 the sources And discussing what's what's
01:01:09,180 → 01:01:10,630 in them and what's in the episodes
01:01:10,640 → 01:01:13,309 strictly the episodes that's all I'm
01:01:13,319 → 01:01:18,549 really here for and that character
01:01:18,559 → 01:01:20,809 let me ask you this question let me
01:01:20,819 → 01:01:22,370 interrupt and ask you this question I'm
01:01:22,380 → 01:01:23,750 trying not to Interruption I'm trying
01:01:23,760 → 01:01:26,870 not to scream into my mic anymore these
01:01:26,880 → 01:01:29,990 are these are things that we notice as
01:01:30,000 → 01:01:32,270 we're watching a former season so I'm
01:01:32,280 → 01:01:34,910 gonna try to try to be more professional
01:01:34,920 → 01:01:36,349 this way
01:01:36,359 → 01:01:40,490 um Rob you're just tell the group you're
Section 156: 01:01:40,500 – 01:02:14,990
01:01:40,500 → 01:01:43,490 you were not a classicist you didn't you
01:01:43,500 → 01:01:45,589 didn't study this when you were young
01:01:45,599 → 01:01:50,410 you're coming at this new and yet you're
01:01:50,420 → 01:01:52,910 diving into the language and I'm gonna
01:01:52,920 → 01:01:55,549 make you dive into the Latin now right
01:01:55,559 → 01:01:57,410 which is great because I get to spank
01:01:57,420 → 01:02:02,030 everyone I love it but um tell tell the
01:02:02,040 → 01:02:04,609 group you know what that means to you
01:02:04,619 → 01:02:05,870 like because you know it's something
01:02:05,880 → 01:02:08,450 come back you know in the middle of your
01:02:08,460 → 01:02:10,010 life to come back to something that's
01:02:10,020 → 01:02:12,650 totally new like this but you see that
01:02:12,660 → 01:02:14,990 there's there's a reason for it um tell
Section 157: 01:02:15,000 – 01:02:43,430
01:02:15,000 → 01:02:18,109 us like you know what motivates you
01:02:18,119 → 01:02:20,150 it's
01:02:20,160 → 01:02:23,270 it's comp I'm compelled every day each
01:02:23,280 → 01:02:25,849 and every day see
01:02:25,859 → 01:02:28,250 bye bye
01:02:28,260 → 01:02:30,890 this morning I woke up and I've come
01:02:30,900 → 01:02:32,270 down and I've made sure that I can
01:02:32,280 → 01:02:35,390 remember all the declensions for the
01:02:35,400 → 01:02:37,970 nouns and I want to write this all out
01:02:37,980 → 01:02:41,030 but what what where that comes from is
Section 158: 01:02:43,440 – 01:03:25,730
01:02:43,440 → 01:02:46,370 it's just a fascination
01:02:46,380 → 01:02:50,270 where where I'm coming from and I'm
01:02:50,280 → 01:02:52,370 going into something
01:02:52,380 → 01:02:55,190 through you that is
01:02:55,200 → 01:02:58,490 it's it's just compelling fascinating
01:02:58,500 → 01:03:01,430 and drives every each and every day at
01:03:01,440 → 01:03:03,829 the minute and
01:03:03,839 → 01:03:06,289 um it's only increasing because you're
01:03:06,299 → 01:03:09,289 saying now Latin is going to come to the
01:03:09,299 → 01:03:12,490 front and then
01:03:12,500 → 01:03:15,109 keeping up with everything is is hard
01:03:15,119 → 01:03:18,109 work it's hard work but I don't I can't
01:03:18,119 → 01:03:20,089 come away from it there's no coming away
01:03:20,099 → 01:03:22,970 from it that episode is just
01:03:22,980 → 01:03:25,730 shown so many
Section 159: 01:03:25,740 – 01:04:06,770
01:03:25,740 → 01:03:28,789 ends up for I knew it'd be good I knew
01:03:28,799 → 01:03:31,430 that episode would be good and I I hope
01:03:31,440 → 01:03:33,470 people go back and watch it again
01:03:33,480 → 01:03:36,530 because there's so much in it and draw
01:03:36,540 → 01:03:40,130 out what the what what is in it because
01:03:40,140 → 01:03:42,230 it's pretty damn
01:03:42,240 → 01:03:45,530 conclusive what the the path of the Ark
01:03:45,540 → 01:03:49,089 you've just took it on has taken us to
01:03:49,099 → 01:03:51,950 any covers all the research I've been
01:03:51,960 → 01:03:53,089 doing
01:03:53,099 → 01:03:56,390 for the past two years and it's coming
01:03:56,400 → 01:03:57,710 from a Latin
01:03:57,720 → 01:04:00,049 a Latin source and
01:04:00,059 → 01:04:03,349 he's giving you the diagram which is the
01:04:03,359 → 01:04:06,770 indication and it it's the it is showing
Section 160: 01:04:06,780 – 01:04:48,890
01:04:06,780 → 01:04:08,870 you where this is originating through
01:04:08,880 → 01:04:13,250 the language and that to me is
01:04:13,260 → 01:04:16,309 is Magic
01:04:16,319 → 01:04:19,910 well we've got to get sweaty and in the
01:04:19,920 → 01:04:23,690 pit with the uh with the Romans yeah
01:04:23,700 → 01:04:25,910 we're gonna get naked in the pit with
01:04:25,920 → 01:04:28,010 those mythrake
01:04:28,020 → 01:04:30,170 um officers yeah we've got to get in
01:04:30,180 → 01:04:32,569 there I love this and
01:04:32,579 → 01:04:35,329 um there is
01:04:35,339 → 01:04:38,510 there is so much that I want to share
01:04:38,520 → 01:04:40,130 with you
01:04:40,140 → 01:04:45,289 um that it is uh you know that allows us
01:04:45,299 → 01:04:47,030 to build that scene better so that we
01:04:47,040 → 01:04:48,890 can just see what's the freaking reality
Section 161: 01:04:48,900 – 01:05:26,870
01:04:48,900 → 01:04:51,049 right none of us we're not here to start
01:04:51,059 → 01:04:53,450 cold somebody was asking me
01:04:53,460 → 01:04:57,349 um about uh what kind of people do you
01:04:57,359 → 01:04:59,630 want listening you know do you want
01:04:59,640 → 01:05:02,150 participating
01:05:02,160 → 01:05:04,670 um I want all kinds of people I don't
01:05:04,680 → 01:05:07,309 care what you are you know
01:05:07,319 → 01:05:10,250 um I don't care what your uh what your
01:05:10,260 → 01:05:12,470 religion is I don't care what group
01:05:12,480 → 01:05:14,150 you're in I don't care where you go hang
01:05:14,160 → 01:05:17,690 out and you know wear jackets I don't
01:05:17,700 → 01:05:19,670 care about that stuff
01:05:19,680 → 01:05:21,890 um none of that stuff is important and
01:05:21,900 → 01:05:24,049 here we preserve the Integrity of the
01:05:24,059 → 01:05:26,870 Muse we go right to those texts and we
Section 162: 01:05:26,880 – 01:05:47,569
01:05:26,880 → 01:05:29,750 work with those texts if that can help
01:05:29,760 → 01:05:32,630 you to break into the reality that look
01:05:32,640 → 01:05:35,809 Jesus Christ was a dude who got arrested
01:05:35,819 → 01:05:38,390 by the legitimate authorities
01:05:38,400 → 01:05:40,849 um in a public park with a naked kid
01:05:40,859 → 01:05:44,990 okay calling himself a a sex pirate
01:05:45,000 → 01:05:47,569 right okay
Section 163: 01:05:47,579 – 01:06:26,390
01:05:47,579 → 01:05:50,030 um what happened in that picture right
01:05:50,040 → 01:05:53,210 there's a reason to this right it's not
01:05:53,220 → 01:05:55,970 the fairy tale world that's what I want
01:05:55,980 → 01:05:59,089 is uh and I'll end with this by asking
01:05:59,099 → 01:06:01,789 snappy snappy are we break talking
01:06:01,799 → 01:06:06,650 through to um to the reality uh is this
01:06:06,660 → 01:06:09,950 productive or you know what you I'm
01:06:09,960 → 01:06:13,010 giving you the last word yeah I mean it
01:06:13,020 → 01:06:14,990 it's beyond productive like I don't
01:06:15,000 → 01:06:17,270 understand how people can't see these
01:06:17,280 → 01:06:19,730 things we have these titles we have
01:06:19,740 → 01:06:22,609 these positions like it's explicit now
01:06:22,619 → 01:06:26,390 when we when we see what Eason is doing
Section 164: 01:06:26,400 – 01:06:59,110
01:06:26,400 → 01:06:28,190 right and then you look at all of these
01:06:28,200 → 01:06:30,529 other characters it's almost like laid
01:06:30,539 → 01:06:33,529 bare and why this is so important is
01:06:33,539 → 01:06:35,750 because there's been a cover-up there's
01:06:35,760 → 01:06:38,450 been an orchestrated effort to remove
01:06:38,460 → 01:06:41,150 this kind of magical connotation and to
01:06:41,160 → 01:06:44,089 whitewash and sanitize Jesus and
01:06:44,099 → 01:06:45,890 everything he's about and it doesn't
01:06:45,900 → 01:06:49,309 know we can't allow that you know
01:06:49,319 → 01:06:52,730 I could not I could not say that better
01:06:52,740 → 01:06:59,110 hail Satan hail Satan
Section 165: 01:06:59,120 – 01:07:03,920
01:06:59,120 → 01:07:03,920 [Music]
Section 166: 01:07:03,930 – 01:07:04,470
01:07:03,930 → 01:07:04,470 [Applause]
Section 167: 01:07:04,480 – 01:07:10,970
01:07:04,480 → 01:07:10,970 [Music]
Section 168: 01:07:10,980 – 01:07:17,599
01:07:10,980 → 01:07:14,870 just put all different masks ask the
01:07:14,880 → 01:07:17,599 questions that that fellow